In this metaphor, Murakami illustrates the abstract concept of Miss Saeki's internal relationship to time passing by speaking of her internal clock as though it is an actual physical object with time-keeping hands that have stopped moving. When Oshima-a character prone to speaking in metaphors-tells Kafka about Miss Saeki's peculiar relationship to reality, he says that "the hands of the clock buried inside her soul ground to a halt" when her boyfriend died. The simile suggests that Kafka has the sense that the music has been lost forever in the void of silence. However, the batteries "run out in the middle of 'Little Red Corvette,' the music disappearing like it’s been swallowed up by quicksand." In this simile, Murakami illustrates the effect of the dead batteries on the audio by likening the music's sudden disappearance to a physical object being sucked into quicksand. Music Disappearing Like Quicksand (Simile)Īlone in Oshima's cabin, Kafka listens to Prince on his Walkman. While taking the bus out of Tokyo with Sakura, who he has just met, Kafka observes how Sakura's earrings "jiggle back and forth like two precarious pieces of ripe fruit ready to fall." In this simile, Murakami emphasizes the weight of Sakura's earrings by likening their swinging motion to fruit that has grown too heavy for the branch and is threatening to drop.
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